overview
Your whole library, as a shelf of photobooks.
The home view lays the entire library out by year and month. Each month is a little photobook spread — two facing pages, hinged at the spine — so you can scan a decade at a glance and feel where the stories are.
The progress band across the top is always honest: how many frames are reviewed, how many cut and kept, what's left, and how much disk you'd reclaim by acting on the cuts.
A library you can hold in your hand, not a folder you dread opening.
discovery
A film strip of forgotten moments.
Across the top of the overview, a 35 mm film strip drifts by — a slow, looping reel of random frames pulled from across the years, sprocket holes and all. Portrait shots sit pillarboxed on the film base, exactly as they would on real stock.
It's not a task list. It's an invitation: hover to pause, and any frame that catches your eye drops you straight into it. Pause, look, fall back in.
- continuous sprocket perforations
- hover-to-pause
- respects reduced-motion
- click any frame to open it
the month photobook
Open a month and it turns like a page.
Tap a month and it opens as a real spread — a hero frame or a mosaic, with a single right-hand page that turns left over the gutter. The selection is diversity-deduped: no two near-identical frames sit side by side, and it re-shuffles fresh on every visit, so the same month never looks the same twice.
Behind the scenes it's a perceptual-hash and timestamp guard picking the most distinct, in-focus frames from the pool — burst duplicates quietly stay out of the spread.
The best of a month, never the same six photos twice.
focus mode
Every frame, with the evidence to judge it.
Open a frame and the photo fills the room — brightest thing on the screen — with a quiet signal panel beside it. EXIF and capture details up top; then library-relative scores with percentile bars: an Apple aesthetic score, a sharpness read from a blur measurement, so you can tell a keeper from a near-miss at a glance.
Below that, content labels and the people in frame. Screenshots and documents are called out with their own tell. People who matter — family, the dogs — carry an amber ring, a standing reminder not to cull them by reflex.
- EXIF & capture
- aesthetic score
- blur / sharpness
- scene labels
- protected people
culling & review
Keep, cut, skip — and change your mind anytime.
Three keys, that's the whole loop. Every decision is recorded, never enacted: a cut is just a mark. The stats bar's cut and kept counts are live links into full review grids, where keepers wear a green edge and cuts a dimmed red one.
Scan a whole decision at once, spot the one you got wrong, and flip it back. Protected frames are guarded — Loupe won't let a reflex cut take out someone who matters.
Reversible by design. The undo is the feature.
auto-flagged candidates
The easy cuts, gathered for you.
Loupe pre-sorts the obvious clutter into Candidates: screenshots, documents and receipts, and the genuinely blurry frames. They're suggestions, never automatic — a fast lane for the decisions that don't need much thought, so the real culling gets your full attention.
Those judgments lean on Apple's enrichment already baked into the library — aesthetic scores, scene labels, and recognized people — surfaced in the signal panel rather than hidden in a database.
- screenshots
- documents
- blurry
- aesthetic scores
- scene labels
